57 ideas
| 21887 | Derrida focuses on other philosophers, rather than on science [Derrida] |
| 21888 | Philosophy is just a linguistic display [Derrida] |
| 21896 | Philosophy aims to build foundations for thought [Derrida, by May] |
| 21893 | Philosophy is necessarily metaphorical, and its writing is aesthetic [Derrida] |
| 21892 | Interpretations can be interpreted, so there is no original 'meaning' available [Derrida] |
| 20925 | Hermeneutics blunts truth, by conforming it to the interpreter [Derrida, by Zimmermann,J] |
| 20934 | Hermeneutics is hostile, trying to overcome the other person's difference [Derrida, by Zimmermann,J] |
| 21895 | Structuralism destroys awareness of dynamic meaning [Derrida] |
| 8210 | Deconstructing philosophy gives the history of concepts, and the repressions behind them [Derrida] |
| 8211 | The movement of 'différance' is the root of all the oppositional concepts in our language [Derrida] |
| 6840 | Derrida came to believe in the undeconstructability of justice, which cannot be relativised [Derrida, by Critchley] |
| 21934 | The idea of being as persistent presence, and meaning as conscious intelligibility, are self-destructive [Derrida, by Glendinning] |
| 21883 | Sincerity can't be verified, so fiction infuses speech, and hence reality also [Derrida] |
| 21882 | Sentences are contradictory, as they have opposite meanings in some contexts [Derrida] |
| 8216 | Deconstruction is not neutral; it intervenes [Derrida] |
| 21881 | We aim to explore the limits of expression (as in Mallarmé's poetry) [Derrida] |
| 8213 | I try to analyse certain verbal concepts which block and confuse the dialectical process [Derrida] |
| 4756 | Derrida says that all truth-talk is merely metaphor [Derrida, by Engel] |
| 21877 | True thoughts are inaccessible, in the subconscious, prior to speech or writing [Derrida] |
| 21878 | Names have a subjective aspect, especially the role of our own name [Derrida] |
| 21889 | 'I' is the perfect name, because it denotes without description [Derrida] |
| 21879 | Even Kripke can't explain names; the word is the thing, and the thing is the word [Derrida] |
| 12354 | A 'categorial' property is had by virtue of being or having an item from a category [Wedin] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 12358 | Substance is a principle and a kind of cause [Wedin] |
| 12346 | Form explains why some matter is of a certain kind, and that is explanatory bedrock [Wedin] |
| 21890 | Heidegger showed that passing time is the key to consciousness [Derrida] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 21880 | 'Tacit theory' controls our thinking (which is why Freud is important) [Derrida] |
| 21894 | Madness and instability ('the demonic hyperbole') lurks in all language [Derrida] |
| 21932 | 'Différance' is the interwoven history of each sign [Derrida, by Glendinning] |
| 21886 | Meanings depend on differences and contrasts [Derrida] |
| 21930 | For Aristotle all proper nouns must have a single sense, which is the purpose of language [Derrida] |
| 21884 | Capacity for repetitions is the hallmark of language [Derrida] |
| 21935 | The sign is only conceivable as a movement between elusive presences [Derrida] |
| 21933 | Writing functions even if the sender or the receiver are absent [Derrida, by Glendinning] |
| 8212 | Everything that is experienced in consciousness is meaning [Derrida] |
| 21929 | Derrida focuses on ambiguity, but talks of 'dissemination', not traditional multiple meanings [Derrida] |
| 21931 | 'Dissemination' is opposed to polysemia, since that is irreducible, because of multiple understandings [Derrida, by Glendinning] |
| 21885 | Words exist in 'spacing', so meanings are never synchronic except in writing [Derrida] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 21891 | The good is implicitly violent (against evil), so there is no pure good [Derrida] |
| 21936 | A community must consist of singular persons, with nothing in common [Derrida, by Glendinning] |
| 21937 | Can there be democratic friendship without us all becoming identical? [Derrida, by Glendinning] |